July 11, 2013 Leave a comment
Minnehaha Park Bandshell, June 20, 2013
A blog about the art of creative aging through dance and story.
June 7, 2013 Leave a comment
We’ve been working on gathering fantastic art for the very first KAIROS ALIVE! Art Sale and Silent Auction. Please join us, Thursday June 13, 5-7 pm at the Loring Park Community Arts Center.
St. Mark’s Cathedral is graciously allowing us to use their parking lot. We’re in conversation with Twin Town Pedicabs to help shuttle people to Loring Park.
Here is a partial list of artists’ work you will find:
Susan Armington, Heidi Arneson, Lisa Arnold, Darin Back, Linda Bergh, Karl Bethke, Savita Bettaglio, Judith Brin Ingber, Sandy Brown Wyeth, Laura Crosby, Barbara DaCosta, Sally Dixon, Laura Drabant, Louise Erdrich, John Falls, David Goldes, Nancy Goldstein, Walter Griffin, Cynthia Harms – Marcel Mouly signed lithograph, Kate Heegaard Hartfiel, Hopi Foundation Artists, Jack Jaglo, Catherine L. Johnson, Madeleine Lowry, Sandra Menefee Taylor, Faith Oremland, Tammy Ortegon, Doug Padilla, Traudi Pawlowski, Lindalee Soderstrom, Steven Guy Solberg, Richard Stryker, Sarah Thorton, Sara Tucker, Patrice Tullai, Eva Two Crow, Diane Wilson, Rochelle Woldorsky
RSVP at email@example.com
We’re looking forward to seeing you there.
Mosaic by Lisa Arnold
May 24, 2013 Leave a comment
This week the Dancing Heart sessions at the V.A. Day Program sites focused on our interdependance and those we depended on to get where we are today. We worked with the imagery of trees and how they shelter us and gift us in so many ways. Their fruit, their sap, their branches, and even eventually a stump to sit on. How they give us oxygen which is like the gift of freedom some people gave us. We stood together as a forest, keeping in mind the great gifting trees that fell before us. We said some of their names aloud. We thank each veteran.
May 20, 2013 Leave a comment
When I walked through the door and got a hug-at-first-glance I knew this could be an especially open-hearted dancing heart™ session. I took a quick glance at site staff to make sure it was ok boundary-wise. Some people are so immediate in their feelings that a hug-at-first-sight is not complex. She had probably heard that we were coming to share dance & music & story and was simply happy about it!
We started the session with a high-kinetic dance song, ‘Shake, Rattle, & Roll’. The group of 20 or so was all in. Not much coaxing needed for this unique and emotionally responsive group. Sensing that the energy high was almost too much, we simmered down with an A Capella lullaby-like song which took its time and included the name of each person in the circle.
Now a sense of group unity had been achieved. We moved on to a story about a tree, a 500-year old tree. Our kinesthetic genius, Jesse, danced the tree’s branches, roots and quivering leaves. Everybody in the circle joined the movements in a wonderful chorus of gestural support. The people loved the tree. The tree loved the people.
The narrative took its course along the circle of life, bringing us back to where we were here and now. The session wound up with a real live ‘Soul Train’. The near-chaotic enthusiasm of the beginning had transformed to a harmonized whole. A sweet bald-headed woman said she had something to say. We handed her the mike and quieted the room.
“The rain falls on everybody’s shoulders. Sometimes they will help you.”
& is that not exactly how things are?
March 18, 2013 Leave a comment
Here are some beautiful words from KAIROS alive! dancing heart volunteer Allison who works with us at Wilder’s Adult Day & Memory Care programs:
A few years ago, I saw KAIROS perform at Loring Park. I was curious and didn’t know what to expect. When they began to dance, tears came rolling down my face. I saw people who usually would not be dancing together, or dancing at all – older adults and young children and those in between. I could see that each dancer was enjoying every moment, regardless of their ability or range of motion. It touched my heart. The dancers themselves sent the message that dance is for everyone, no matter how much or how little you’re able to physically move. It had special meaning for me because in the past, I had danced with ease. But years of injuries, physical pain and personal issues had brought me to a place where I could barely move at all. Watching them gave me hope and inspiration. At the end of the performance, they asked the audience to join in a circle dance. My heart led me to stand and be part of it. I’m so glad I did.
I now volunteer twice a month with dancing heart sessions at Wilder in St. Paul. By singing, dancing and telling stories with this vibrant group of older adults, I’ve made heartfelt connections and truly receive much more than I give. Whether I’m holding someone’s hand, chatting with them before or after the session, or simply being part of the group, I have the opportunity to acknowledge and experience the beauty and love that’s in all of us. It’s so rewarding to see a person who is at first shy and reserved start to sing, move and laugh with the group. I feel honored to be able to help foster vitality and health in the lives of these very special people.
The authenticity and creativity of the older adults, teaching artists and other volunteers shines through in each session. One of the older adults gave me this wisdom when I first met her: “Don’t let anyone steal your joy.” Indeed, I’ve found that I carry the joy from volunteering with me into the rest of my life. I often catch myself singing the songs “Breathing In, Breathing Out” and “Great Big Love” when I’m at home going about daily tasks like cooking or laundry. I’m grateful to have the opportunity to volunteer – it is both a pleasure and a gift to my spirit!
February 14, 2013 1 Comment
Every Dancing Heart Program ends with the same song, “Great Big Love,” composed by Lauren Anthony and me when she was about 12 years old. It’s Lauren’s voice you hear singing along with me on the recording. I recently told the story of how it came to be written to Kairos Alive! founder and director, Maria Genne’.
Though Maria and I have been close friends for many years, she had never heard the story of how the song came to be. She invited me share it here as a tribute to the ways that creative work intersects with the mysteries of life, death, friendship, and celebration.
It is 1996. I am seated at the piano in a southwest Minneapolis church with group of people gathered for a fundraiser. I’m not sure if I will be able to sing. My heart is shattered from the sudden loss of a 17-year-old friend, Kirsten Bergh, who died in a car accident. I’m also grieving her mother’s serious injury and the death of Kirsten’s friend, Nina, who was also in the accident.
I managed to get through the songs I’ve prepared. When the program is over, I’m sitting at the piano bench when a nine-year-old girl with huge brown eyes plops down next to me. I recognize her as the daughter of friends from the church, but don’t recall having much interaction with her before.
Now I am not a kid magnet. I like children a lot, but they don’t come and attach themselves to me like they do to so many other people with that gift. But here was Lauren – gazing up at me with loving admiration.
Her mom, Terri, called me a few days later with this report: “We have a major Barbara McAfee Fan Club going over here at my house. Lauren listens to your Britches CD every morning before school and every night before she goes to sleep. How about that?”
When I hung up the phone, I started pondering why this girl was so showing up so strongly in my life. I recalled that shortly after Kirsten died, I went over to her home and let myself in. (Her mom and housemates were all in New York where the accident took place.) There was only one thing pinned to Kirsten’s bulletin board in her room: “If you can’t be with the one you love, Honey, love the one you’re with” from the song by Stephen Stills.
I began to wonder if Kirsten was at work somehow, directing me to open my heart to this new girl-child the way I’d opened it to her.
Lauren’s parents and I decided that we should honor our connection by getting us together from time to time, so Lauren and I started getting together now and again for voice lessons. (I’m a voice coach)
We did a lot of singing together. And talked a lot. And enjoyed each other. Soon our friendship extended beyond voice lessons to include dinners at Noodles, walks around the neighborhood, and time hanging out at my apartment. When her parents were going through a difficult divorce, sometimes our “lesson” would shift into cuddle time.
During one lesson, we began talking about our extraordinary friendship, which name “soul mother” and “soul daughter”. Out of that conversation, the song “Great Big Love” was born. We wrote it side by side on the piano bench, laughing and shedding tears of gratitude.
Now Lauren is grown up and living in Milwaukee with her partner and his two children. She’s got her degree and is one of those big-hearted, very smart young women who is a gift to all who know her.
We marvel at how our little song – and the love that is behind it – continues to spread in the world through the Dancing Heart program. Every time it is sung, I imagine Kirsten smiling in heaven and Lauren feeling a little shiver of joy in Milwaukee.
“Who can explain this Great Big Love?”
Hope this link to the song works. – Lynnea
January 16, 2013 Leave a comment
Our collaboration began in 2005 when Kairos Dance shared stage and energy with One Voice at Hamline University’s sold-out Sundin Hall for the Building Bridges concert. As One Voice Artistic Director Jane Ramseyer Miller said, in 2005 about Kairos and One Voice, "both groups share commitment to diversity and personal expression." Several One Voice singers danced with Kairos for some time after that!
In 2008, we collaborated at St. Paul's History Theater to celebrate One Voice's 20th Anniversary.
Kairos Alive! is happy to join the entire State of Minnesota in celebrating 25 years of One Voice Mixed Chorus heart, soul, and song.
Love of joy and beauty are part of that mix as well!